Audio 18 Apr 10,977 notes

goddamnitriot:

You can not write the word “ignorance”. The future is on sale.

Push aside and laugh at the karmic tale saying it’s superstition.

the “glitchy” part in the beginning is why i’m alive

(Source: thegaathing)

Text 17 Apr 2 notes What is the Future Even?

Holy shit guys. Are scrapbooks a redundant activity???

Before the internet in my early childhood days looking through every damn photo album every person in my family had I always figured I would end up having one too so we could keep track of the family trips, important events like weddings, birthdays, birthing’s, etc … But Facebook does that now. Shit, I just realized I won’t need to make a frikken Photo Album of my life. I’m not sure if this is depressing me, or somewhat liberating.

Video 17 Apr 31,224 notes

tastefullyoffensive:

They’re more like guidelines anyway. [x]

Video 16 Apr 26,250 notes

sircuddlebuns:

Skip the Use - Nameless World

I AM SO IN LOVE WITH THIS! THE SONG AND THE ANIMATION ARE SO GOOD I AM HAVING AN OUT OF BODY EXPERIENCE PLEASE WATCH THIS YOU WILL NOT BE SORRY

Text 15 Apr 332,503 notes

themanwithfrozenhearts:

im a really affectionate person once you get past my 5 layers of shyness, awkwardness, fear, vague dislike, and loneliness

Text 11 Apr 3,607 notes What Things Really Mean

sorelatable:

No Offense = I am about to offend you

Sweet Revenge = Stealing your sibling’s Halloween candy

Retired = What I want to be when I grow up

Tumblr = the end of your social life

Photo 11 Apr 25,174 notes

(Source: kevalanazambie)

Video 11 Apr 154,927 notes

samssamulet:

the last one though lol

(Source: amroyounes)

Photo 10 Apr 461 notes tinyredbird:

theroguefeminist:

beautifuloutlier:

theroguefeminist:

beautifuloutlier:

girlprince:

colorlust:

davidlevitz:

Why does she need to have boots to be strong? Gender inequality tho.

I really just can’t deal with the idea that putting a woman, a woman who is already in a skin tight body suit with boob socks, into ‘Jet high heels’ was considered as s serious way to empower her.  
It would almost be laughable if it wasn’t so sad and out of touch.  
From the get go, Zero Suit Samus as a character was ridiculous.  Samus isn’t only supposed to be in peak human shape from all of her training with the Chozo, but she also has their DNA (as well as Metroid DNA) Spliced into hers. So even without her suit, she should be more along the lines of a Captain America/Ninja hybrid.  She is a warrior, trained in hand to hand combat.  Not twirling around with her laser ribbon dancing in space heels. 
The very idea that space warrior is nothing without her armor is troublesome.  It insinuates that as a female she lacks the quality and ability to do the things she does in her masculine form when she takes on a feminine form.  The whole thing exists as a form of fan service, which can be tolerable, but only when it doesn’t come at the cost of character.
The issue of representation in video games isn’t new, but it seems like game companies are having the hardest time grasping the issues, and correcting them.  I naively expect more from Nintendo, but the way Metroid has been treated recently (Other M, this nonsense) it is becoming apparent that we may need someone else to steer this disaster to a new course. 
Blerg. 0/10 do not recommend. 

a+ commentary thank

It’s telling (and useful in contradicting the oft-repeated “everything gets steadily more equal” narrative) that a character like Samus in the original games, who is foremost a silent warrior but also a woman even though nothing about her revolves around it, and her gender is not treated as special or noteworthy or fetishised for a presumed male audience, would be unthinkably radical for a mainstream video game today. A female protagonist in totally enclosing armour, whose face is never seen, and who is the sole protagonist in her story, no men present (and certainly no hetero romantic subplots)?Why the usual suspects would be crying “feminist manipulation killing the games industry” so loudly there’d be one hundred articles and every woman on the dev team doxxed within 24 hours of the announcement.Gaming culture is demonstrably more misogynistic today than it was when Super Metroid was released, and that’s quite interesting indeed.

yeah i was just thinking about how shit isn’t necessarily getting better - in fact, like you say it’s more misogynistic and i think a lot of it is men reacting negatively to women “infiltrating” gaming cultures and industries - it’s away of keeping up the status quo/keeping women in their place

It’s more than that. The gaming scene (well, the home entertainment scene, arcades were their own culture) was originally very gender-equal. Probably more so than the culture surrounding it.Why? Think about it, game coders were frequently, well, a bit counter-cultural. They learnt a very difficult, new, and rare skill which was highly valued by the corporate world, and instead of assimilating into that world turned their skills to the production of art, many times not only self-taught and self-funded, but necessarily inventing the field as they went. Many of these original coders (and artists, and sound engineers, etc.) were women, in part because women were often denied entry into the more formal fields of computer science, which were the domain of the old boys’ clubs of mathematicians, engineers, and economists. And more than that, they were often young, rebellious, artistic women who had chosen a very difficult path out of a deep passion for creating something.And on the consumer side, many of the people who bought games were women, because video games were children’s toys, bought my mothers for children (often regardless of the child’s gender) and played with those children by mothers. The target audience of Mario Bros. or Super Metroid or Zelda wasn’t hypermasculine teens and young adults with a sense of entitlement, it was young, modern parents with a love of new technology.In this way, I’d argue that the rising misogyny in gaming was not a reaction to the infiltration of women in the scene, but a result of their expulsion from that scene as it transformed from a niche artistic venture through a subset of children’s toys, to arrive at being an industrialised mass medium valued by the capitalist patriarchy as a way to promote its culture.And the story of men violently expelling women from a field and then claiming it was always “traditionally male” is hardly original.

sorry that makes more sense

If snake was -naked- he’d still be portrayed as bad ass, but take away Samus’ suit and somehow she’s less powerful
Bull shit.

tinyredbird:

theroguefeminist:

beautifuloutlier:

theroguefeminist:

beautifuloutlier:

girlprince:

colorlust:

davidlevitz:

Why does she need to have boots to be strong? Gender inequality tho.

I really just can’t deal with the idea that putting a woman, a woman who is already in a skin tight body suit with boob socks, into ‘Jet high heels’ was considered as s serious way to empower her.  

It would almost be laughable if it wasn’t so sad and out of touch.  

From the get go, Zero Suit Samus as a character was ridiculous.  Samus isn’t only supposed to be in peak human shape from all of her training with the Chozo, but she also has their DNA (as well as Metroid DNA) Spliced into hers. So even without her suit, she should be more along the lines of a Captain America/Ninja hybrid.  She is a warrior, trained in hand to hand combat.  Not twirling around with her laser ribbon dancing in space heels. 

The very idea that space warrior is nothing without her armor is troublesome.  It insinuates that as a female she lacks the quality and ability to do the things she does in her masculine form when she takes on a feminine form.  The whole thing exists as a form of fan service, which can be tolerable, but only when it doesn’t come at the cost of character.

The issue of representation in video games isn’t new, but it seems like game companies are having the hardest time grasping the issues, and correcting them.  I naively expect more from Nintendo, but the way Metroid has been treated recently (Other M, this nonsense) it is becoming apparent that we may need someone else to steer this disaster to a new course. 

Blerg. 0/10 do not recommend. 

a+ commentary thank

It’s telling (and useful in contradicting the oft-repeated “everything gets steadily more equal” narrative) that a character like Samus in the original games, who is foremost a silent warrior but also a woman even though nothing about her revolves around it, and her gender is not treated as special or noteworthy or fetishised for a presumed male audience, would be unthinkably radical for a mainstream video game today. A female protagonist in totally enclosing armour, whose face is never seen, and who is the sole protagonist in her story, no men present (and certainly no hetero romantic subplots)?

Why the usual suspects would be crying “feminist manipulation killing the games industry” so loudly there’d be one hundred articles and every woman on the dev team doxxed within 24 hours of the announcement.

Gaming culture is demonstrably more misogynistic today than it was when Super Metroid was released, and that’s quite interesting indeed.

yeah i was just thinking about how shit isn’t necessarily getting better - in fact, like you say it’s more misogynistic and i think a lot of it is men reacting negatively to women “infiltrating” gaming cultures and industries - it’s away of keeping up the status quo/keeping women in their place

It’s more than that. The gaming scene (well, the home entertainment scene, arcades were their own culture) was originally very gender-equal. Probably more so than the culture surrounding it.

Why? Think about it, game coders were frequently, well, a bit counter-cultural. They learnt a very difficult, new, and rare skill which was highly valued by the corporate world, and instead of assimilating into that world turned their skills to the production of art, many times not only self-taught and self-funded, but necessarily inventing the field as they went. Many of these original coders (and artists, and sound engineers, etc.) were women, in part because women were often denied entry into the more formal fields of computer science, which were the domain of the old boys’ clubs of mathematicians, engineers, and economists. And more than that, they were often young, rebellious, artistic women who had chosen a very difficult path out of a deep passion for creating something.

And on the consumer side, many of the people who bought games were women, because video games were children’s toys, bought my mothers for children (often regardless of the child’s gender) and played with those children by mothers. The target audience of Mario Bros. or Super Metroid or Zelda wasn’t hypermasculine teens and young adults with a sense of entitlement, it was young, modern parents with a love of new technology.

In this way, I’d argue that the rising misogyny in gaming was not a reaction to the infiltration of women in the scene, but a result of their expulsion from that scene as it transformed from a niche artistic venture through a subset of children’s toys, to arrive at being an industrialised mass medium valued by the capitalist patriarchy as a way to promote its culture.

And the story of men violently expelling women from a field and then claiming it was always “traditionally male” is hardly original.

sorry that makes more sense

If snake was -naked- he’d still be portrayed as bad ass, but take away Samus’ suit and somehow she’s less powerful

Bull shit.

Video 9 Apr 42,764 notes

heysawbones:

alliartist:

music-holic:

And the Waltz Goes On - Anthony Hopkins 

Sir Anthony Hopkins Hears The Waltz He Wrote 50 Years Ago For The First Time

Academy Award-winning actor Sir Anthony Hopkins was a musician before he got into acting. 50 years ago he wrote a waltz but was too afraid to ever hear it play. Dutch violinist André Rieu performs it for the very first time. Watch Hopkins’ reaction.

That was beautiful

I cried a few tears and felt better about humanity’s endeavors.


Design crafted by Prashanth Kamalakanthan. Powered by Tumblr.